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Wunder der Sch?pfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Sch?pfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

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 評(píng)論
  • 西伯利亞野狼

    171.12.211.7
    超前點(diǎn)映看的。美味近在眼前,看著都好吃。但是巨幕看這種電視紀(jì)錄片好別扭,構(gòu)圖不合理,特寫(xiě)過(guò)多,超快的剪輯也別扭。。
  • Alina葉

    121.77.7.157
    今年是樣板戲第二元年吧,2022年了都,無(wú)奈啊。
  • 子規(guī)墨

    210.33.7.50
    依然溫情有趣,漂亮的不像話(huà)的農(nóng)場(chǎng)風(fēng)光,一些瑣碎的不能再瑣碎的小事兒撐起了一整個(gè)豐收年,真想自己也能在這樣的農(nóng)場(chǎng)生活啊
  • 影音廠

    139.204.10.61
    差點(diǎn)被評(píng)論反向安利的一部劇。雖然有點(diǎn)荒誕但深刻,刺破了上流社會(huì)關(guān)于教養(yǎng)學(xué)歷、善良美好、還有民主政治一切華麗的外衣。
  • 然|勤勞的雙手

    139.213.130.18
    還行吧 基本就郝杰拍的質(zhì)感好 都靠郝杰刷完這東西 其他都希望二倍速 之所以是希望 因?yàn)榧依锞W(wǎng)速慢 快了就卡 他媽的
  • IAM芽糖

    121.77.127.23
    中間有些拖沓了 不過(guò)結(jié)尾真的很讓人刺痛 狗的囂張也因豬的懦弱 如果黃景敏沒(méi)有去地下室 不堪的往事不會(huì)翻涌出來(lái) 大家還會(huì)相安無(wú)事的活著 原來(lái)少年時(shí)的噩夢(mèng)用盡一生 仍然無(wú)法治愈 最后要用生命來(lái)完成救贖 朋友最后又在一起了 一如二十年前